https://placeholder-archive.com/home 2026-04-23T21:31:34+00:00 always 0.5 https://placeholder-archive.com/index-all 2026-04-25T00:12:48+00:00 always 0.5 https://placeholder-archive.com 2026-04-25T00:15:10+00:00 always 0.5 https://placeholder-archive.com/cover-page-mobile 2026-04-25T00:15:10+00:00 always 0.5 https://placeholder-archive.com/information 2026-04-25T00:09:48+00:00 always 0.5 https://placeholder-archive.com/work-experience-1 2026-04-23T23:11:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2903641945987805393958971060587/keshi - Say (Official Music Video) Keshi, Say (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/Q2903642143884475816715040797035/Looking Towards Gucci Cruise 2024 Gucci Cruise 2024 (Brand Film) Directed by Woogie Kim | Assistant Director | 2023 https://freight.cargo.site/t/original/i/J2903642250451316330535120482667/RM '들꽃놀이 (with 조유진)' Official MV RM, Wildflower (Music Video) Directed by Woogie Kim | Creative & Production | 2022 https://freight.cargo.site/t/original/i/U2903642403116570284555369656683/Agust D '사람 Pt.2 (feat. 아이유)' Official MV SUGA, Saram Pt.2 (feat. IU) (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/T2903642537630228070045420040555/이하이 (LeeHi), 성시경 (SUNG SI KYUNG) - '골목길 (Alley) (with 성시경)' Official MV Lee Hi, Alley (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/G2903642949177088354505516593515/이하이 (LeeHi) - '그대가 해준 말 (My Beloved)' Official MV Lee Hi, My Beloved (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/M2903643860796733733157847904619/LE SSERAFIM (르세라핌) UNFORGIVEN TRAILER 'Burn the Bridge' LE SSERAFIM, Unforgiven ‘Burn the Bridge’ (Album Trailer) Directed by Woogie Kim | Directing Dept. | 2022 https://freight.cargo.site/t/original/i/C2903643940947836733425849676139/코드 쿤스트 (CODE KUNST) - 'Jumper (Feat. 개코 (Gaeko), MINO)' Official MV Code Kunst, Jumper (feat. Gaeko, MINO) (Music Video) Directed by Woogie Kim | Directing Dept. | 2022 https://freight.cargo.site/t/original/i/M2903644016561040691561301750123/소향 (Sohyang) - 'BLESSING (Feat. YDG)' MV Sohyang, Blessing (feat. YDG) (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/R2903644277102853988635008774507/(여자)아이들((G)I-DLE) - 'Revenge' Official Music Video (G)I-DLE, Revenge (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/N2903644711947952038190269018475/우석 (WOOSEOK) 'Sketch' M/V Wooseok, Sketch (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/Z2903644835079968730201526055275/우석(WOOSEOK) 'Navy Blue' M/V Wooseok, Navy Blue (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/F2903644951571157555677344510315/JEONGHAN X WONWOO (SEVENTEEN) 1ST SINGLE ALBUM ‘THIS MAN’｜Have you ever seen ‘𝐓𝐇𝐈𝐒 𝐌𝐀𝐍’? SVT Jeonghan X Wonwoo, THIS MAN (Album Trailer) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/U2903645040908739104652702986603/JEONGHAN X WONWOO (SEVENTEEN) '어젯밤 (Guitar by 박주원)' Official MV SVT Jeonghan X Wonwoo, Last Night (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/E2903645123052090464881336332651/첸 (CHEN) ‘빈 집 (Empty)’ MV Chen, Empty (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/L2903645690012769570344405250411/STAYC(스테이씨) The 1st Album [Metamorphic] Trailer Film STAYC, Metamorphic (Album Trailer) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/J2903645763559938192224387543403/래원 (Layone) '뉴질랜드 (New Zealand)' MV LAYONE, New Zealand (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/H2903645853118880670084260639083/[MV] 세상 따위 (Feat. BewhY) - 래원 LAYONE, Fucking World (feat. BewhY) (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/Q2903645922681552572042979783019/육성재 'BE SOMEBODY' M/V Yook Sung Jae, Be Somebody (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/T2903646069222487493591657820523/다비치 (DAVICHI) - 지극히 사적인 얘기 (A very personal story) MV Davichi, A Very Personal Story (Music Video) Directed by Hobin | Assistant Director | 2023 https://freight.cargo.site/t/original/i/Y2903646201042920644320113668459/윤하(YOUNHA) - 태양물고기 M/V Younha, Sunfish (Music Video) Directed by Hobin | Pre-production | 2023 https://freight.cargo.site/t/original/i/E2903646291081478468096435106155/VVS 븨븨에스 'The 5 C's' Debut Trailer VVS, The 5 C’s (Debut Trailer) Directed by Hobin | Pre-production | 2023 https://freight.cargo.site/t/original/i/V2903646978646970327472552489323/Jacksonwang_Louis-Vuitton.mov Louis Vuitton Men FW23 (Brand Film) Directed by Woogie Kim | Creative & Production | 2022 https://freight.cargo.site/t/original/i/R2903647297222240480436508897643/IU, Lee Ji Eun x GUCCI | The Hidden Gucci Horsebit 1955 (2022) The Hidden Gucci Horsebit 1955 (Brand Film) Directed by Woogie Kim | Creative & Production | 2022 https://freight.cargo.site/t/original/i/I2903647526257014899614301761899/찰나의 움직임이 최고의 경지로. OWN THE FLOOR. NIKE, OWN THE FLOOR (Brand Film) Directed by Woogie Kim | Creative & Production | 2022 https://freight.cargo.site/t/original/i/A2903647661471648959905315107179/NIKE-X-AP-Studio.mp4 NIKE X AP Studio (Brand Film) Directed by Woogie Kim | Creative & Production | 2022 https://freight.cargo.site/t/original/i/S2903650787051071321104321818987/01_0028_3_2C.jpg <div style="text-align: left">ENTRE D’EUX (Photography)Photographed by Tae Kyun Kim (Less Photo) | Producer / Video Edit | 2022 </div> https://freight.cargo.site/t/original/i/S2903650787161751785546579128683/Aespa_VogueSG_Issue9_Social6.jpg <div style="text-align: left">Vogue Singapore (Photography) Photographed by Dukhwa Jang | Art Team | 2022 </div> https://freight.cargo.site/t/original/i/F2903650787180198529620288680299/AespaCover_VogueSG_October_IG1.jpg <div style="text-align: left">Vogue Singapore (Photography) Photographed by Dukhwa Jang | Art Team | 2022</div> https://freight.cargo.site/t/original/i/H2903650787217092017767707783531/c842b65b5e03e22033227df13decfbd3.jpg <div style="text-align: left">ENTRE D’EUX (Photography)Photographed by Tae Kyun Kim (Less Photo) | Producer / Video Edit | 2022 </div> https://freight.cargo.site/t/original/i/Q2903650787124858297399160025451/8ff71d0255613d026fe7fa1ca05bf7a2.jpeg <div style="text-align: left">ENTRE D’EUX (Photography)Photographed by Tae Kyun Kim (Less Photo) | Producer / Video Edit | 2022 </div> https://freight.cargo.site/t/original/i/E2903650787143305041472869577067/Aespa_VogueSG_Issue9_Social2.jpg <div style="text-align: left">Vogue Singapore (Photography) Photographed by Dukhwa Jang | Art Team | 2022</div> https://freight.cargo.site/t/original/i/E2903650787198645273693998231915/b92fb8f2c6b0d3aa35c7a92169cba844.jpg <div style="text-align: left">ENTRE D’EUX (Photography) Photographed by Tae Kyun Kim (Less Photo) | Producer / Video Edit | 2022 </div> https://freight.cargo.site/t/original/i/K2903655022958466222954949849451/000972-LVT-04G-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film) Directed by Woogie Kim | Creative & Production | 2022</div> https://freight.cargo.site/t/original/i/U2903655023032253199249788055915/000973-LVT-04D-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film)Directed by Woogie Kim | Creative & Production | 2022 </div> https://freight.cargo.site/t/original/i/P2903655022921572734807530746219/000972-LVT-02i-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film)Directed by Woogie Kim | Creative & Production | 2022</div> https://freight.cargo.site/t/original/i/A2903655023087593431470916710763/000973-LVT-07F-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film)Directed by Woogie Kim | Creative & Production | 2022</div> https://freight.cargo.site/t/original/i/X2903655022995359711102368952683/000973-LVT-02F-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film)Directed by Woogie Kim | Creative & Production | 2022</div> https://freight.cargo.site/t/original/i/X2903655023069146687397207159147/000973-LVT-06E-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film)Directed by Woogie Kim | Creative & Production | 2022</div> https://freight.cargo.site/t/original/i/H2903655022976912967028659401067/000973-LVT-01F-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film)Directed by Woogie Kim | Creative & Production | 2022</div> https://freight.cargo.site/t/original/i/C2903655022940019478881240297835/000972-LVT-03H-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film)Directed by Woogie Kim | Creative & Production | 2022</div> https://freight.cargo.site/t/original/i/W2903655022829339014438982988139/000972-LVT-01F-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film)Directed by Woogie Kim | Creative & Production | 2022</div> https://freight.cargo.site/t/original/i/Y2903655023050699943323497607531/000973-LVT-05E-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film)Directed by Woogie Kim | Creative & Production | 2022</div> https://freight.cargo.site/t/original/i/B2903655023013806455176078504299/000973-LVT-03E-MRS-low-res.jpg <div style="text-align: left">Louis Vuitton Men FW23 (Brand Film)Directed by Woogie Kim | Creative & Production | 2022</div> https://placeholder-archive.com/graphic-works 2026-04-24T01:02:45+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2903680663047284963693637611883/rhythm_grid.jpg https://freight.cargo.site/t/original/i/P2903680663065731707767347163499/Timeline-1.gif https://freight.cargo.site/t/original/i/R2903680663028838219619928060267/pacific_trash.jpg https://freight.cargo.site/t/original/i/Q2903680663010391475546218508651/gun_shot.jpg https://freight.cargo.site/t/original/i/W2903680662936604499251380302187/flower_wall.jpg https://placeholder-archive.com/jeong-jeon 2026-04-24T13:36:54+00:00 always 0.5 https://freight.cargo.site/t/original/i/P2761535501479587403566594588967/vertical.png In the past, the symbol “#” was associated with jeong (井), meaning “well.” As a well provided the water necessary for everyday life, it symbolised life itself and served as an essential source of survival. Today, the same symbol is understood as hashtag(#), which has become equally embedded in contemporary life through social media. Though similar in form, these two meanings belong to very different systems of life and communication. This work focuses on the gap between these meanings, tracing how the symbol “#” can recall the past while affirming existence in the present. The hexagonal pattern on the ground floor reinterprets traditional Korean dancheong motifs and symbolises the contemporary well (#), while the second-floor object, Sungnyemun, marks the centre of the gap between past and present. Like the well in the past, Sungnyemun has remained a central presence in the city and in the lives of its citizens. The reference to 2018, the tenth anniversary of the fire at Sungnyemun, adds another layer to the work’s meaning. https://freight.cargo.site/t/original/i/B2903684829336667731364417843563/IMG_2979.JPG https://freight.cargo.site/t/original/i/E2903684829392007963585546498411/page_Page_069-Firefly-Upscaler-2x-scale-Firefly-Upscaler-2x-scale.jpg https://freight.cargo.site/t/original/i/F2903684829281327499143289188715/IMG_2913.JPG https://freight.cargo.site/t/original/i/U2903684829373561219511836946795/IMG_7281-Firefly-Upscaler-2x-scale.jpg In the past, the symbol “#” was associated with jeong (井), meaning “well.” As a well provided the water necessary for everyday life, it symbolised life itself and served as an essential source of survival. Today, the same symbol is understood as hashtag(#), which has become equally embedded in contemporary life through social media. Though similar in form, these two meanings belong to very different systems of life and communication. This work focuses on the gap between these meanings, tracing how the symbol “#” can recall the past while affirming existence in the present. The hexagonal pattern on the ground floor reinterprets traditional Korean dancheong motifs and symbolises the contemporary well (#), while the second-floor object, Sungnyemun, marks the centre of the gap between past and present. Like the well in the past, Sungnyemun has remained a central presence in the city and in the lives of its citizens. The reference to 2018, the tenth anniversary of the fire at Sungnyemun, adds another layer to the work’s meaning. https://freight.cargo.site/t/original/i/K2903684829355114475438127395179/IMG_4558.jpg https://freight.cargo.site/t/original/i/D2903686467499775197141149102443/[井展:정전 ] Projection mapping Exhibition(Full ver.) https://placeholder-archive.com/melody-of-the-light-weaving 2026-04-24T00:48:11+00:00 always 0.5 https://freight.cargo.site/t/original/i/P2761535501479587403566594588967/vertical.png In the past, the symbol “#” was associated with jeong (井), meaning “well.” As a well provided the water necessary for everyday life, it symbolised life itself and served as an essential source of survival. Today, the same symbol is understood as hashtag(#), which has become equally embedded in contemporary life through social media. Though similar in form, these two meanings belong to very different systems of life and communication. This work focuses on the gap between these meanings, tracing how the symbol “#” can recall the past while affirming existence in the present. The hexagonal pattern on the ground floor reinterprets traditional Korean dancheong motifs and symbolises the contemporary well (#), while the second-floor object, Sungnyemun, marks the centre of the gap between past and present. Like the well in the past, Sungnyemun has remained a central presence in the city and in the lives of its citizens. The reference to 2018, the tenth anniversary of the fire at Sungnyemun, adds another layer to the work’s meaning. https://freight.cargo.site/t/original/i/B2903684829336667731364417843563/IMG_2979.JPG https://freight.cargo.site/t/original/i/E2903684829392007963585546498411/page_Page_069-Firefly-Upscaler-2x-scale-Firefly-Upscaler-2x-scale.jpg https://freight.cargo.site/t/original/i/F2903684829281327499143289188715/IMG_2913.JPG https://freight.cargo.site/t/original/i/K2903684829355114475438127395179/IMG_4558.jpg https://freight.cargo.site/t/original/i/D2903686467499775197141149102443/[井展:정전 ] Projection mapping Exhibition(Full ver.) https://freight.cargo.site/t/original/i/A2903883853029366414792919822699/main-render_final.jpg In the past, the symbol “#” was associated with jeong (井), meaning “well.” As a well provided the water necessary for everyday life, it symbolised life itself and served as an essential source of survival. Today, the same symbol is understood as hashtag(#), which has become equally embedded in contemporary life through social media. Though similar in form, these two meanings belong to very different systems of life and communication. This work focuses on the gap between these meanings, tracing how the symbol “#” can recall the past while affirming existence in the present. The hexagonal pattern on the ground floor reinterprets traditional Korean dancheong motifs and symbolises the contemporary well (#), while the second-floor object, Sungnyemun, marks the centre of the gap between past and present. Like the well in the past, Sungnyemun has remained a central presence in the city and in the lives of its citizens. The reference to 2018, the tenth anniversary of the fire at Sungnyemun, adds another layer to the work’s meaning. https://placeholder-archive.com/the-flow-of-lfie 2026-04-24T01:10:18+00:00 always 0.5 https://freight.cargo.site/t/original/i/P2761535501479587403566594588967/vertical.png <The Flow of Life> is an architectural proposal that rethinks how death might be acknowledged within everyday urban life. While death is an inevitable and universal experience, contemporary society continues to treat it as distant and separate from daily existence. As a result, there are few spaces in the city where grief, loss, and reflection can be collectively felt. Rather than confining death to fixed memorial typologies such as cemeteries, the project proposes a more open relationship between life, death, and the city. By inserting spaces of reflection into an infrastructural void, it reimagines architecture as a medium for collective contemplation embedded within everyday movement. https://freight.cargo.site/t/original/i/W2903375597766663214991222714731/B512094_1-copy.jpg The project is situated along the Han River, a site of symbolic and social significance in Seoul. Despite its centrality, the river is often experienced from a distance, while bridges function more as edges than places of encounter. At the same time, the site has become associated with social isolation, revealing a tension between connection and disconnection. In response, the project introduces a new pedestrian flow beneath Dongjak Bridge, transforming residual space into a place for walking and reflection. https://freight.cargo.site/t/original/i/Q2903375597729769726843803611499/a.jpg https://freight.cargo.site/t/original/i/N2903375597803556703138641817963/B512094_2.jpg https://freight.cargo.site/t/original/i/X2903375598246278560907671056747/---.jpeg Organised as a sequence of spatial experiences, the project gradually shifts from activity to introspection. Visitors enter through a ramp and encounter an active fountain, before moving through spaces that allow both individual reflection and shared presence. In the central zone, compressed and fragmented spatial elements—angled plates, narrow columns, and controlled views—create a moment of sensory transition. This movement through compression, pause, and release invites contemplation as something embedded within the city, rather than separate from it. https://freight.cargo.site/t/original/i/Z2903375598043364376096865988971/Screenshot-2026-04-08-at-01.27.49.jpg https://freight.cargo.site/t/original/i/D2903375597822003447212351369579/c.jpg https://freight.cargo.site/t/original/i/J2903375597655982750548965405035/5.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/N2903375597600642518327836750187/2.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/C2903375597692876238696384508267/7.jpg <div style="text-align: left">-sections of sequences- </div> https://freight.cargo.site/t/original/i/Q2903375597637536006475255853419/4.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/H2903375597711322982770094059883/8.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/O2903375598135598096465413747051/Screenshot-2026-04-08-at-01.47.46.jpg https://freight.cargo.site/t/original/i/U2903375597951130655728318230891/h.jpg https://freight.cargo.site/t/original/i/J2903375597674429494622674956651/6.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/I2903375597988024143875737334123/j.jpg https://freight.cargo.site/t/original/i/P2903375597526855542032998543723/1.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/H2903375598117151352391704195435/Screenshot-2026-04-08-at-01.46.56.jpg https://freight.cargo.site/t/original/i/S2903375598209385072760251953515/2.jpg -raised water level- https://freight.cargo.site/t/original/i/Q2903375598190938328686542401899/1.jpg -normal water level- https://freight.cargo.site/t/original/i/K2903375597932683911654608679275/g.jpg https://freight.cargo.site/t/original/i/B2903383191313520925307016786283/_.jpg <The Flow of Life> is an architectural proposal that rethinks how death might be acknowledged within everyday urban life. While death is an inevitable and universal experience, contemporary society continues to treat it as distant and separate from daily existence. As a result, there are few spaces in the city where grief, loss, and reflection can be collectively felt. Rather than confining death to fixed memorial typologies such as cemeteries, the project proposes a more open relationship between life, death, and the city. By inserting spaces of reflection into an infrastructural void, it reimagines architecture as a medium for collective contemplation embedded within everyday movement. https://freight.cargo.site/t/original/i/J2903397382891798920055232868715/3.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/L2903397706447689972920768213355/Screenshot-2026-04-07-at-23.15.jpg https://freight.cargo.site/t/original/i/F2903407865549266710687291486571/d.jpg https://freight.cargo.site/t/original/i/S2903407865567713454761001038187/f.jpg https://freight.cargo.site/t/original/i/V2903407865475479734392453280107/b.jpg https://freight.cargo.site/t/original/i/B2903410722175160477201035637099/dfsd.jpg https://freight.cargo.site/t/original/i/X2903413920951263322879543161195/Screenshot-2026-04-08-at-01.59.42.jpg https://freight.cargo.site/t/original/i/H2903413920877476346584704954731/Screenshot-2026-04-08-at-01.59.35.jpg https://freight.cargo.site/t/original/i/W2903423605731709693352365732203/01a-1.jpg https://freight.cargo.site/t/original/i/U2903560876790352577432815612267/Timeline-1.mov https://placeholder-archive.com/beyond-the-border-line 2026-04-24T01:10:18+00:00 always 0.5 https://freight.cargo.site/t/original/i/P2761535501479587403566594588967/vertical.png <The Flow of Life> is an architectural proposal that rethinks how death might be acknowledged within everyday urban life. While death is an inevitable and universal experience, contemporary society continues to treat it as distant and separate from daily existence. As a result, there are few spaces in the city where grief, loss, and reflection can be collectively felt. Rather than confining death to fixed memorial typologies such as cemeteries, the project proposes a more open relationship between life, death, and the city. By inserting spaces of reflection into an infrastructural void, it reimagines architecture as a medium for collective contemplation embedded within everyday movement. https://freight.cargo.site/t/original/i/W2903375597766663214991222714731/B512094_1-copy.jpg The project is situated along the Han River, a site of symbolic and social significance in Seoul. Despite its centrality, the river is often experienced from a distance, while bridges function more as edges than places of encounter. At the same time, the site has become associated with social isolation, revealing a tension between connection and disconnection. In response, the project introduces a new pedestrian flow beneath Dongjak Bridge, transforming residual space into a place for walking and reflection. https://freight.cargo.site/t/original/i/Q2903375597729769726843803611499/a.jpg https://freight.cargo.site/t/original/i/N2903375597803556703138641817963/B512094_2.jpg https://freight.cargo.site/t/original/i/X2903375598246278560907671056747/---.jpeg Organised as a sequence of spatial experiences, the project gradually shifts from activity to introspection. Visitors enter through a ramp and encounter an active fountain, before moving through spaces that allow both individual reflection and shared presence. In the central zone, compressed and fragmented spatial elements—angled plates, narrow columns, and controlled views—create a moment of sensory transition. This movement through compression, pause, and release invites contemplation as something embedded within the city, rather than separate from it. https://freight.cargo.site/t/original/i/Z2903375598043364376096865988971/Screenshot-2026-04-08-at-01.27.49.jpg https://freight.cargo.site/t/original/i/D2903375597822003447212351369579/c.jpg https://freight.cargo.site/t/original/i/J2903375597655982750548965405035/5.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/N2903375597600642518327836750187/2.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/C2903375597692876238696384508267/7.jpg <div style="text-align: left">-sections of sequences- </div> https://freight.cargo.site/t/original/i/Q2903375597637536006475255853419/4.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/H2903375597711322982770094059883/8.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/O2903375598135598096465413747051/Screenshot-2026-04-08-at-01.47.46.jpg https://freight.cargo.site/t/original/i/U2903375597951130655728318230891/h.jpg https://freight.cargo.site/t/original/i/J2903375597674429494622674956651/6.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/I2903375597988024143875737334123/j.jpg https://freight.cargo.site/t/original/i/P2903375597526855542032998543723/1.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/H2903375598117151352391704195435/Screenshot-2026-04-08-at-01.46.56.jpg https://freight.cargo.site/t/original/i/S2903375598209385072760251953515/2.jpg -raised water level- https://freight.cargo.site/t/original/i/Q2903375598190938328686542401899/1.jpg -normal water level- https://freight.cargo.site/t/original/i/K2903375597932683911654608679275/g.jpg https://freight.cargo.site/t/original/i/B2903383191313520925307016786283/_.jpg <The Flow of Life> is an architectural proposal that rethinks how death might be acknowledged within everyday urban life. While death is an inevitable and universal experience, contemporary society continues to treat it as distant and separate from daily existence. As a result, there are few spaces in the city where grief, loss, and reflection can be collectively felt. Rather than confining death to fixed memorial typologies such as cemeteries, the project proposes a more open relationship between life, death, and the city. By inserting spaces of reflection into an infrastructural void, it reimagines architecture as a medium for collective contemplation embedded within everyday movement. https://freight.cargo.site/t/original/i/J2903397382891798920055232868715/3.jpg <div style="text-align: left">-sections of sequences-</div> https://freight.cargo.site/t/original/i/L2903397706447689972920768213355/Screenshot-2026-04-07-at-23.15.jpg https://freight.cargo.site/t/original/i/F2903407865549266710687291486571/d.jpg https://freight.cargo.site/t/original/i/S2903407865567713454761001038187/f.jpg https://freight.cargo.site/t/original/i/V2903407865475479734392453280107/b.jpg https://freight.cargo.site/t/original/i/B2903410722175160477201035637099/dfsd.jpg https://freight.cargo.site/t/original/i/X2903413920951263322879543161195/Screenshot-2026-04-08-at-01.59.42.jpg https://freight.cargo.site/t/original/i/H2903413920877476346584704954731/Screenshot-2026-04-08-at-01.59.35.jpg https://freight.cargo.site/t/original/i/W2903423605731709693352365732203/01a-1.jpg https://freight.cargo.site/t/original/i/U2903560876790352577432815612267/Timeline-1.mov https://placeholder-archive.com/seoulscape 2026-04-24T01:02:45+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y2903449542499513371561772134763/Screenshot-2025-01-07-at-0.58.33.jpg https://freight.cargo.site/t/original/i/R2903449542573300347856610341227/Screenshot-2025-01-07-at-1.20.46.jpg https://freight.cargo.site/t/original/i/S2903449542462619883414353031531/Screenshot-2025-01-07-at-0.52.56.jpg https://freight.cargo.site/t/original/i/P2903449542481066627488062583147/Screenshot-2025-01-07-at-0.58.16.jpg https://freight.cargo.site/t/original/i/Y2903449542517960115635481686379/Screenshot-2025-01-07-at-1.00.47.jpg https://freight.cargo.site/t/original/i/V2903449542536406859709191237995/Screenshot-2025-01-07-at-1.10.08.jpg https://freight.cargo.site/t/original/i/Q2903449542554853603782900789611/Screenshot-2025-01-07-at-1.20.13.jpg https://freight.cargo.site/t/original/i/Q2903449542407279651193224376683/FINAL_01_00_51_08.jpg https://freight.cargo.site/t/original/i/C2903449542444173139340643479915/FINAL_01_01_00_05.jpg https://freight.cargo.site/t/original/i/P2903449542591747091930319892843/Screenshot-2025-01-07-at-1.20.59.jpg https://freight.cargo.site/t/original/i/S2903449542388832907119514825067/FINAL_01_00_48_19.jpg https://freight.cargo.site/t/original/i/U2903449542425726395266933928299/FINAL_01_00_57_22.jpg https://placeholder-archive.com/domuji 2026-04-24T13:36:54+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2903466534275095011346213974379/DSC01432_edit.jpg https://freight.cargo.site/t/original/i/G2903466534367328731714761732459/DSC01455-2-Edit-2.jpg https://freight.cargo.site/t/original/i/J2903466534238201523198794871147/3.jpg https://freight.cargo.site/t/original/i/D2903466534311988499493633077611/DSC01432_edit3.jpg <Domuji> begins with a contradiction within human nature: the desire to belong somewhere, and the impulse to exclude others. Throughout history, what could not be understood was often turned into something monstrous. Today, monstrosity no longer appears as a fixed category, but in subtle and fragmented forms directed toward those who seem unfamiliar, unreadable, or outside the boundaries of what is accepted. The work takes its title from the Korean word domuji(도무지), meaning that nothing can be done and there is no way forward. One possible origin of the word is Domoji(塗貌紙), a method of torture used during the Joseon Dynasty in which wet paper was layered over a prisoner’s face until breathing stopped. Quiet and almost without trace, such a death disappeared into the continuation of everyday life. From this reflection emerges Domuji, a figure suspended between human and nonhuman, presence and disappearance. Its body appears exposed, yet bound by something unseen; the thin membrane surrounding it seems turned inside out, too fragile to protect it. By naming this figure Domuji, the work draws attention to the fragile boundary between “it” and “us,” and to the quiet ways in which social structures push a being beyond the limits of the social world. https://freight.cargo.site/t/original/i/H2903466534201308035051375767915/_9990171-Edit.jpg https://freight.cargo.site/t/original/i/J2903466534385775475788471284075/IMG_3963.jpg https://freight.cargo.site/t/original/i/T2903466534348881987641052180843/DSC01451-3-3.jpg https://freight.cargo.site/t/original/i/T2903466534219754779125085319531/_9990215-2.jpg https://freight.cargo.site/t/original/i/A2903472375381265719254604525931/Screenshot-2025-01-07-at-0.25.27.png https://placeholder-archive.com/digital-acropolis 2026-04-24T13:36:55+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2903564455089767995611638083947/Sequence-011-Firefly-Upscaler-2x-scale.jpg https://freight.cargo.site/t/original/i/N2903564454942194043021961671019/DSC01390-2.jpg https://freight.cargo.site/t/original/i/W2903564455052874507464218980715/DSC01517-Firefly-Upscaler-2x-scale.jpg https://freight.cargo.site/t/original/i/Z2903564454923747298948252119403/ddsdf0-Firefly-Upscaler-2x-scale.jpg https://freight.cargo.site/t/original/i/C2903564454886853810800833016171/1230-Firefly-Upscaler-2x-scale.jpg https://freight.cargo.site/t/original/i/R2903564455126661483759057187179/Sequence-020-Firefly-Upscaler-2x-scale.jpg https://freight.cargo.site/t/original/i/R2903564455163554971906476290411/Untitled-1-Firefly-Upscaler-2x-scale.jpg https://freight.cargo.site/t/original/i/L2903564454868407066727123464555/990-Firefly-Upscaler-2x-scale.jpg https://freight.cargo.site/t/original/i/D2903564455182001715980185842027/Untitled-12-Firefly-Upscaler-2x-scale.jpg https://freight.cargo.site/t/original/i/E2903566035957288368446502023531/DSC01426-Edit3.jpg <Digital Acropolis> examines contemporary media through the form of architecture. In the past, buildings such as temples and theatres functioned as shared spaces of communication, where collective experience shaped social and political life. Today, however, media is no longer tied to a physical site, operating instead through digital systems that are fluid, fragmented, and endlessly reproducible. The work reinterprets the Parthenon as a contemporary media structure. Reconstructed with industrial materials, the temple becomes a symbol of mass production and mediated perception. Its transparent surfaces layer light and image, while the content within continuously shifts and drifts away from its original meaning. At the centre, a text-based digital video—one of the most direct forms of communication—is played. Yet from the outside, it becomes fragmented and unreadable. Through this transformation, the work reflects on how contemporary media has moved away from shared sensory experience, becoming instead a system of distortion and distance. https://placeholder-archive.com/memento 2026-04-24T01:02:45+00:00 always 0.5 https://freight.cargo.site/t/original/i/R2903564455163554971906476290411/Untitled-1-Firefly-Upscaler-2x-scale.jpg <Memento> begins with a question: what does individuality mean in a society that pursues normality? It responds to the erasure of individuality within highly developed social systems by taking my own body and identity as material, dismantling them, and reconstructing them as a collection of symbolic objects. https://freight.cargo.site/t/original/i/D2903571992042014887786527797611/DSC01466.jpg Footprint Stamp | A stamp with constant footprints | 134*60*60mm https://freight.cargo.site/t/original/i/T2903571992189588840376204210539/DSC01579.jpg Triple-scale Measuring Tape | A measuring device made by measuring the dimensions of my body instead of inches, palms and feet | 110*70*20mm https://freight.cargo.site/t/original/i/X2903571992171142096302494658923/DSC01536.jpg Made of industrial materials such as metal, concrete, and acrylic, the objects are contained within a large metal box whose minimal form recalls a standardised, mass-produced product. Yet the objects inside resist uniformity. Derived from my body, senses, and traces, they take the form of tools and devices—futuristic relics that move against the logic of modern civilisation, evoking something more primal and originary. By presenting the physical traits of an individual in the form of products, the work foregrounds the presence of a human body within the mechanised city. https://freight.cargo.site/t/original/i/C2903571992078908375933946900843/DSC01491.jpg Heartbeat Automaton | A machine that produces the beating sound of the heart, which makes human beings function | 130*125*60mm https://freight.cargo.site/t/original/i/N2903571992152695352228785107307/DSC01517.jpg <Memento> begins with a question: what does individuality mean in a society that pursues normality? It responds to the erasure of individuality within highly developed social systems by taking my own body and identity as material, dismantling them, and reconstructing them as a collection of symbolic objects. https://freight.cargo.site/t/original/i/A2903571992115801864081366004075/DSC01499.jpg https://freight.cargo.site/t/original/i/Z2903571992134248608155075555691/DSC01509.jpg Concrete Case | A collection case formed by the deposition of materials such as salt and sand in modern concrete | 60*90*40mm https://freight.cargo.site/t/original/i/Z2903571992060461631860237349227/DSC01473.jpg https://freight.cargo.site/t/original/i/A2903571992097355120007656452459/DSC01498.jpg Ear to ear Trumpet | An ear trumpet that allows others to hear sounds through my ear | 37*74*247mm https://placeholder-archive.com/pages-of-control 2026-04-24T13:41:30+00:00 always 0.5 https://freight.cargo.site/t/original/i/R2903564455163554971906476290411/Untitled-1-Firefly-Upscaler-2x-scale.jpg Is ‘freedom’ really free? We may appear to live freely, yet our movements are shaped by constant instruction, signage, and control. Even within spaces designated as safe, freedom remains conditional. This work collects texts encountered along an actual route through a campus building and reconstructs them as an experimental book. Beginning with the language of access and control at the building’s boundary and ending with welcoming phrases such as “EVERYBODY IS WELCOME” and “SAFE AREA,” the work reveals that safety and inclusion are granted only through compliance with a sequence of rules and instructions. Each coloured acrylic page represents a different type of space, while the transparent acrylic sheets between them mark moments of spatial transition. Turning the pages becomes a compressed experience of architectural movement through the hand. https://freight.cargo.site/t/original/i/V2903582016187211982293971448171/dina0224-2.jpg https://freight.cargo.site/t/original/i/X2903582016224105470441390551403/dina8094_edit.jpg Is ‘freedom’ really free? We may appear to live freely, yet our movements are shaped by constant instruction, signage, and control. Even within spaces designated as safe, freedom remains conditional. This work collects texts encountered along an actual route through a campus building and reconstructs them as an experimental book. Beginning with the language of access and control at the building’s boundary and ending with welcoming phrases such as “EVERYBODY IS WELCOME” and “SAFE AREA,” the work reveals that safety and inclusion are granted only through compliance with a sequence of rules and instructions. Each coloured acrylic page represents a different type of space, while the transparent acrylic sheets between them mark moments of spatial transition. Turning the pages becomes a compressed experience of architectural movement through the hand. https://freight.cargo.site/t/original/i/L2903582016260998958588809654635/Sungjoo-Han8087.jpg https://freight.cargo.site/t/original/i/P2903582016205658726367680999787/dina0226-2.jpg https://freight.cargo.site/t/original/i/V2903582016242552214515100103019/dina8098.jpg https://placeholder-archive.com/approaching-home 2026-04-24T13:44:56+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2903587921838540204112083104107/front.jpg https://freight.cargo.site/t/original/i/U2903587921912327180406921310571/Sungjoo-Han818.jpg <Approaching Home> is an object work that structures the process of arriving at home through a layered form. Although it appears as a single house from the outside, the viewer must open its narrow structure three times to reach the innermost image. This repeated act of opening becomes a gradual approach toward a private space, reflecting both the physical and psychological distance between the city and the home. At its deepest layer, the work reveals an image of a person lying in bed in a dark room, withdrawn from the outside world. https://freight.cargo.site/t/original/i/X2903587921930773924480630862187/Sungjoo-Han8189-2.jpg https://freight.cargo.site/t/original/i/J2903587921875433692259502207339/Sungjoo-Han0257.jpg https://freight.cargo.site/t/original/i/K2903587921949220668554340413803/Sungjoo-Han8204.jpg https://freight.cargo.site/t/original/i/H2903587921893880436333211758955/Sungjoo-Han0261-2.jpg https://freight.cargo.site/t/original/i/R2903587921986114156701759517035/Sungjoo-Han8276-2.jpg https://freight.cargo.site/t/original/i/F2903587922004560900775469068651/Sungjoo-Han8278.jpg https://freight.cargo.site/t/original/i/P2903587921967667412628049965419/Sungjoo-Han8239-2.jpg https://freight.cargo.site/t/original/i/K2903587921856986948185792655723/Sungjoo-Han0245.jpg https://placeholder-archive.com/groundtake 2026-04-24T13:23:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2903592115816485826420900311403/text.jpg https://freight.cargo.site/t/original/i/L2904790344332318623279205265771/groundtake_base2.mp4 <Groundtake> is a video work that reflects on an identity shaped through relations with others and the outside world. As we try to secure a place for ourselves, the work considers the hierarchies and anxieties surrounding occupation and belonging, and asks whether a complete and stable self is ever truly possible. https://placeholder-archive.com/threshold 2026-04-24T00:45:58+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2903587921838540204112083104107/front.jpg <Threshold> focuses on the moment when a home comes into being, that is, the point at which the boundary between the city and the home begins to operate sensorially. In the city, the door exists as a repetitive, anonymous, and closed surface, yet at the same time it is also a thin but decisive boundary that separates inside and outside, public space and private space. Through elements such as the door, frame, mirror, and reflection, the work constructs the moment in which the interior of the home is not directly revealed, but instead becomes perceptible. The viewer stands before a closed surface, yet through reflection and depth encounters a sense of space that seems to exceed a simple structure. What emerges here is not a literal representation of an interior, but something closer to a psychological and sensory dimension in which the idea of home is formed. In this way, the viewer experiences a brief yet decisive moment of transition. https://freight.cargo.site/t/original/i/K2903595197179062642938111799659/IMG_7914.jpg <Threshold> focuses on the moment when a home comes into being, that is, the point at which the boundary between the city and the home begins to operate sensorially. In the city, the door exists as a repetitive, anonymous, and closed surface, yet at the same time it is also a thin but decisive boundary that separates inside and outside, public space and private space. Through elements such as the door, frame, mirror, and reflection, the work constructs the moment in which the interior of the home is not directly revealed, but instead becomes perceptible. The viewer stands before a closed surface, yet through reflection and depth encounters a sense of space that seems to exceed a simple structure. What emerges here is not a literal representation of an interior, but something closer to a psychological and sensory dimension in which the idea of home is formed. In this way, the viewer experiences a brief yet decisive moment of transition.